At the beggining of 2025, personally and creatively I was filled with queuestions and doubts in which I find myself addressing texture as a protagonist cue to continue exploring the ways a photographer could portray his vision, outside from printing and framing an image. 

Recognizing how texture made up a huge part from the creative language I’ve been exploring, this piece is just a tangible recognition on how texture became a big pilar of my own creative exploration. 

Rizograph prints in 1960 Sociology Dictionary. Steel, plywood, screws, and handscriptted texts. 

80cm x 61.5cm



2026

medellin, colombia